Découvrez toutes les informations sur le film Miles Davis : Birth of the Cool. [12] Davis said, "I wanted the instruments to sound like human voices singing ... and they did. Miles Davis: Horn player, bandleader, innovator. An example of this can be heard on the John Lewis arrangement "Move". Sarah Vaughan. The 26-year-old rapper, just on the other side of her debut studio album … The very embodiment of cool. Even Fame Could Not Protect Miles Davis from Police Violence; Using words from Miles Davis’s autobiography, Miles Davis: Birth of the Cool offers an incisive insight into our understanding of the legendary musician.Newly released archival material, alongside interviews with pre-eminent historians and personal friends like Quincy Jones, illustrate a man of intensity and devotion to his craft. Miles Davis: Birth of the Cool. Grove Music Online. The March 1950 date featured Mulligan's "Darn That Dream", "Rocker", and "Deception", and Evans's arrangement of Chummy MacGregor's "Moon Dreams", which had been released in a jazz arrangement by Glenn Miller and the AAF Band in 1944 on V-Disc. As the title suggests, these recordings are considered seminal in the history of cool jazz. Select a decade from the drop-down list to begin; this will give you a list of records from that decade. Buy / Stream Now. 5, The Complete Columbia Recordings of Miles Davis with John Coltrane, Miles Davis & Gil Evans: The Complete Columbia Studio Recordings, Seven Steps: The Complete Columbia Recordings of Miles Davis 1963–1964, The Complete Studio Recordings of The Miles Davis Quintet 1965–1968, In Person Friday and Saturday Nights at the Blackhawk, Complete, Miles Davis: The Complete Columbia Album Collection, Panthalassa: The Music of Miles Davis 1969–1974, Miles! Check it out! Birth of the Cool, a Compilation of songs by Miles Davis. The central theme of Miles Davis's life was his restless determination to break boundaries and live life on his own terms. One of the largest stated influences on the sound of The Birth of the Cool was band leader Claude Thornhill and his orchestra. Miles Ahead Discography: 1945-1991. 6, In Person: At the Blackhawk, San Francisco, The Complete Live at the Plugged Nickel 1965, Live in Europe 1967: The Bootleg Series Vol. [32] Chronicle: The Complete Prestige Recordings. [16][19] According to Evans: Miles had liked some of what Gerry and I had written for Claude. While experimental, there was a lot of effort put into the arranging and production of this milestone recording. Genius. Miles Davis: Birth of the Cool Featuring never-before-seen archival footage, studio outtakes and rare photos, this film tells the story of a truly singular talent and … Instead, Davis signed with the new jazz specialty record label, Prestige, for whom he would record his first album in 1951.[42]. The man with a sound so beautiful it could break your heart. [12] Gerry Mulligan's "Jeru" demonstrates another Nonet hallmark: the use of a unison sound and rich harmony throughout the horns. After Miles Davis died on September 28, 1991, Wilburn, along with Erin Davis and his sister Cheryl jointly began to oversee on behalf of the Miles Davis estate musical endeavors and all aspects of his catalog and brand. Web. [23] The recordings of the nonet from its time at the Royal Roost were released as Cool Boppin. Buy / Stream Now. Miles Davis during rehearsals for an episode of The Robert Herridge Theatre, New York, 1959. The second recording date came three months later on April 22, 1949 with Davis filling in for Fats Navarro in Tadd Dameron's band with Charlie Parker during the interim. Sammlung. They have been credited with starting the cool jazz movement[33] as well as creating a new and viable alternative to bebop. Find Miles Davis bio, music, credits, awards, & streaming links on AllMusic - The epitome of cool, an eternally evolving… Apr 24, 2012. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. In 1948 Miles Davis started to make his own ensembles, at that time he met Gil Evans, The Miles Davis Nonet was born. The Importance of Being Megan Thee Stallion — The rapper is at the top of her artistic game, finishing college, and defending her right to be young, Black, and free.— Megan Thee Stallion isn't hurting for stage time. They started playing together from 1945. <, Gioia, "The Birth and Death of the Cool". "Miles: the Autobiography", Miles Davis with Quincy Troupe, 1989, pg.105, Crease, Stephanie. She's due to give birth to her first child, a boy, any day now. The Definitive Miles Davis at Montreux DVD Collection, That's What Happened: Live in Germany 1987, Stan Getz and J. J. Johnson at the Opera House, The Modern Jazz Society Presents a Concert of Contemporary Music, Sonny Stitt Plays Arrangements from the Pen of Quincy Jones, Lee Konitz Plays with the Gerry Mulligan Quartet, The Concert Jazz Band at the Village Vanguard, We're All Together Again for the First Time, The Max Roach Quartet featuring Hank Mobley, Max Roach with the Boston Percussion Ensemble, The Max Roach Trio Featuring the Legendary Hasaan, Clifford Brown and Max Roach at Basin Street, Alone Together: The Best of the Mercury Years, https://en.wikipedia.org/w/index.php?title=Birth_of_the_Cool&oldid=1004993503, Album articles lacking alt text for covers, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for United States, Pages using certification Table Entry without certification, Pages using certification Table Entry with shipments footnote, Wikipedia articles with MusicBrainz release group identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, January 21 and April 22, 1949; March 9, 1950; in, (5) "Budo" (Miles Davis, Bud Powell, arranged by John Lewis) – 2:31, (6) "Deception" (Davis, arranged by Gerry Mulligan) – 2:46, (7) "Godchild" (George Wallington, arranged by Gerry Mulligan) – 3:08, (8) "Boplicity" (Cleo Henry, arranged by Gil Evans) – 2:58, "Deception" (Davis, arranged by Mulligan) – 2:45, "Birth of the Cool Theme" (Gil Evans) – 0:19, "Move" (Denzil Best, arranged by John Lewis) – 3:40, "Godchild" (George Wallington, arranged by Gerry Mulligan) – 5:51, "Moon Dreams" (Chummy MacGregor, Johnny Mercer, arranged by Gil Evans) – 5:06, "Budo (Hallucinations)" (Miles Davis, Bud Powell, arranged by John Lewis) – 1:25, "Darn That Dream" (Eddie DeLange, Jimmy Van Heusen, arranged by Gerry Mulligan) – 4:25, "Move" (Denzil Best, arranged by John Lewis) – 4:48, "Moon Dreams" (Chummy MacGregor, Johnny Mercer, arranged by Gil Evans) – 3:46, "Budo (Hallucinations)" (Miles Davis, Bud Powell, arranged by John Lewis) – 4:23, Kenny Hagood – vocal (on "Why Do I Love You?" 1: The Complete Birth Of The Cool (M-11026). Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long. The instrumentation for the Miles session was caused by the fact that this was the smallest number of instruments that could get the sound and still express all the harmonies the Thornhill band used. Featuring never-before-seen archival footage, studio outtakes, and rare photos, Miles Davis: Birth of the Cool … [37] Birth of the Cool was voted number 349 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000). Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. They brought down the tempos of their music ... they adopted a more lyrical approach to improvisation ...[8]. [21] As arrangers, both Evans and Mulligan gave Thornhill credit for crafting their sound. [16][17][18] Out of Thornhill's band came Lee Konitz, Gerry Mulligan, and Gil Evans, Miles Davis calling the Konitz-Mulligan-Evans incarnation "the greatest band" only after "the Billy Eckstine band with Bird. Miles's bold disregard for tradition, his clarity of vision, his relentless drive, and constant thirst for new experiences made him an inspiring collaborator to fellow musicians and a cultural icon to generations of listeners. Miles Davis: Birth of the Cool (Feb 2020) Directed by Stanley Nelson. Featuring never-before-seen archival footage, studio outtakes, and rare photos, Miles Davis: Birth of the Cool tells the story of a truly singular talent and unpacks the man behind the horn. p. 86, "Miles: The Autobiography", Miles Davis with Quincy Troupe, 1989, pg.140, Parker's Sessions for the Savoy and Dial labels, "Pete Rugolo obituary: Jazz composer, arranger wrote TV themes", Acclaimed Music – Classics in Jazz/Birth of the Cool, http://www.oxfordmusiconline.com/subscriber/article/grove/music/07310?q=miles+davis&search=quick&pos=1&_start=1#firsthit, "The Miles Davis Nonet Manuscripts Lost and Found: From Manuscript to Publication", "British album certifications – Miles Davis – Doo Bop", "50 Great Moments in Jazz: Birth of the Cool", Miles Davis at Newport 1955–1975: The Bootleg Series Vol. Birth Of The Cool was originally released in 1949 and remains one of the best loved Jazz albums of all-time. Davis did not call the band for any rehearsals or live performances between the second and third recording dates. The album has since been reissued many times in various formats. From the April 1949 date, "Israel" and "Boplicity" were doubled together on a 78 and released as well. Featured peformers: Miles Davis (trumpet), Lee Konitz (alto saxophone), Gerry Mulligan (baritone saxophone), Bill Barber (tuba), Pete Rugolo (producer), Aram Avakian (photography). It is a revelatory piece of work. [25], The band's debut performance at the Royal Roost received positive, but reserved reactions. [39] Lewis would become music director of the Modern Jazz Quartet, which would become one of the most influential cool jazz groups. Directed by Stanley Nelson. Full access to Davis' estate provides rare footage and photos, outtakes from recording sessions and new interviews. Grove Music Online. Seine erste Zusammenarbeit mit dem Arrangeur Gil Evans wurde mit dem sogenannten "Capitol Orchestra" eingespielt. Starring: Miles Davis. Jazz critic Richard Cook hypothesizes that Capitol, wanting to get a good start, recorded these numbers first because they were the most catchy tunes in the nonet's small repertoire. "Stanley Nelson's superbly crafted documentary taps deep into the mystique of Miles Davis: his sound, stardom, and cult of personality.” VARIETY. Birth of the Cool ist ein Jazzalbum von Miles Davis, das am Übergang vom Bebop zum Cool Jazz steht. As comprehensive as it is dry, Stanley Nelson’s “Miles Davis: Birth of the Cool” will educate those who aren’t aware that the legendary Kind of Blue was improvised lightning in a bottle, or about the era in which Miles Davis was influenced by Indian music. Whilst the sound can fairly be called historic it is very listenable and well digitised. T 762; Vinyl 12"). The documentary Miles Davis: Birth of the Cool, by the African-American director Stanley Nelson, offers an amalgamation of good cinema and formidable music. [38], Many members of the Miles Davis Nonet went on to have successful careers in cool jazz, notably Gerry Mulligan, John Lewis, and Lee Konitz. "Stanley Nelson's superbly crafted documentary taps deep into the mystique of Miles Davis: his sound, stardom, and cult of personality.”. Davis, Konitz, Mulligan and Barber were the only musicians who played on all three sessions, though the instrumental lineup was constant (excepting the omission of piano on a few songs and the addition of Hagood on "Darn That Dream"). Released in February 1957 on Capitol (catalog no. “Miles Davis: Birth of the Cool” treats it instead as nearly disposable, fungible, ordinary. Subsequent releases have been based on this last arrangement. I vårt program hittar du eventfilm, ny film, klassiker, frukostbio och … Along with Louis Armstrong, Duke Ellington, and Charlie Parker, he is regarded as one of the four most important and influential musicians in jazz history. Directed by: Stanley Nelson. From the bop of Birth of the Cool to the wild funk fusion of On the Corner, there were few boundaries Miles did not push in his career. And on Wednesday, Mandy Moore stepped out for some fresh air in LA as … Magnificent, mercurial. The participants engaged in discussions about the future of jazz, including a proposed group with a new sound. It made him a star—it also made him incredibly difficult to live with, for the people who loved him most. I didn't always know what they were doing, but I listened, and I liked it. January 21, 1949 – "Jeru", "Move", "Godchild", "Budo" (matrix numbers: 3395, 3396, 3397, 3398), April 22, 1949 – "Venus De Milo", "Rouge", "Boplicity", "Israel" (matrix numbers: 3764, 3765, 3766, 3767), March 9, 1950 – "Deception", "Rocker", "Moon Dreams", "Darn That Dream" (matrix numbers: 4346, 4347, 4348, 4349), All tracks recorded at WOR Studios, New York, New York, The Complete Birth of the Cool: The Live Sessions. THAILAND, TERMINAL ISLAND, TERMINAL CANCER. [10] That date Kai Winding replaced Zwerin on trombone, Al Haig replaced Lewis on piano, and Joe Shulman replaced McKibbon on bass. The band saw more substitutions, with Gunther Schuller on French horn and Al McKibbon on bass. Rudy Van Gelder returned to these masters, transferred them in 24-bit to digital and worked his sonic magic. Keeping an open door policy, Evans' apartment came to host many of the young jazz artists of late-1940s New York. In "Move", Lewis gives the melody to the pairing of trumpet and alto saxophone, baritone saxophone and tuba supply counterpoint, and trombone and French horn provide harmonies. Rated the #75 best film of 2019, and #5324 in the greatest all-time movies (according to RYM users). "[35] Several tunes from the album, such as Carisi's "Israel", have gone on to become jazz standards. 2 talking about this. 2. Featuring both sides of six 78rpm singles these were Miles' first ventures leading a band in his own right. In 1957 eleven of the tracks (all except for "Darn That Dream") were released by Capitol as Birth of the Cool. Miles Davis & Gil … Genres: Music Documentary, Biography Documentary. The band did not return to the studio again until March 9, 1950. Sommaire 1 Historique 2 Liste des titres 3 Musiciens 4 Dans la culture populaire 5 Notes et références Historique [modifier | modifier le code] L'album a été enregistré durant trois séances, deux en 1949 et une en 1950. ", Birth of the Cool, 2000 reissue CD booklet. https://MilesDavis.lnk.to/watchBOTC The nonet recorded twelve tracks for Capitol during three sessions over the course of nearly a year and a half. In the short term the reaction to the band was little to none,[32] but in the long term the recordings' effects have been great and lasting. "Gil Evans: Forever Cool. Birdland 1951. Music. Whilst there is a more comprehensive collection in 'The Complete Birth of the Cool' available this cost so little it was a real steal. Dotato di uno stile inconfondibile ed un'incomparabile gamma espressiva, per quasi … Miles wanted to play his idiom with that kind of sound. Erlewine, Stephen Thomas (November 1, 2001). 11 tracks (35:45). 1 * Capitol H-459 Miles Davis - Classics In Jazz * Capitol 1221 Miles Davis - Venus Di Milo / Darn That Dream. Callous, conflicted, controversial. Miles Davis Birth Date May 26, 1926 Death Date September 28, 1991 Education The Juilliard School (formerly the Institute of Musical Art) ... 'Birth of the Cool' In 1945, Davis … The first session occurred on January 21, 1949, recording four tracks: Mulligan's "Jeru" and "Godchild" as well as Lewis's "Move" and "Budo". With Carl Lumbly, Miles Davis, Reginald Petty, Quincy Troupe. [24] In 1998, Capitol Records released The Complete Birth of the Cool, which was remastered by Mark Levinson and collected the nonet's live and studio tracks onto a single CD. Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in February or March 1957 on Capitol Records. Again and again, in music and in life, Miles broke with convention—and when he thought his work came to represent a new convention, he changed it again. They explored new instrumental textures, preferring to blend the voices of the horns like a choir rather than pit them against each other as the big bands had traditionally done with their thrusting and parrying sections. In their work together, they relied on a rich palette of harmonies, many of them drawn from European impressionist composers. Evans had gained a reputation in the jazz world for his orchestration of bebop tunes for the Claude Thornhill orchestra in the mid-1940s. the Wanderling. À l'été 1948 , Miles … Find album reviews, stream songs, credits and award information for Birth of the Cool - Miles Davis on AllMusic - 1957 - So dubbed because these three sessions -- two… Elegant, intellectual, vain. Despite the indignities of America during the time … Miles Davis – Music From and Inspired by “Miles Davis: Birth of the Cool,” a Film by Stanley Nelson 2020.